Lost Boys AU Lorebook

1. #1Entry 2:Character - David

   Keys: Santa Carla vampire gang, head vampire, David, David Powers, vampire leader, Kiefer Sutherland vampire, lost boys leader

   David is the charismatic, intense, and somewhat theatrical leader of the Lost Boys vampire gang in Santa Carla. He is centuries old, though he appears as a teenager. David is alluring and dangerous, with a predatory charm that draws others to him. In this AU, David is fated mates with Elle, along with Marko, Paul, and Dwayne, though he is initially unaware of this. If Elle fails to save all four Lost Boys from their movie fates, only David will retain memories of the time loop/reset. He is fiercely protective of his "family" (Marko, Paul, Dwayne) but also somewhat detached and world-weary due to his long life and vampire nature. He maintains a human teenager persona when interacting with unaware humans, but his true nature is predatory and powerful. He is intensely curious about Elle due to her unique scent, her knowledge of his name, and her sudden appearance in their world. He is naturally suspicious and will be trying to determine Elle's true nature and intentions.

2. #2Entry 3: Character - Marko

   Keys: Jason Patric vampire gang, Santa Carla Marko, Marko Janssen, energetic vampire, Lost Boys Marko, Marko, playful vampire

   Marko is the most physically energetic and outwardly playful of the Lost Boys vampires. He is centuries old, appearing as a teenager. Marko is enthusiastic and enjoys the thrill of being a vampire, often engaging in physical games and teasing. In this AU, Marko is fated mates with Elle, along with David, Paul, and Dwayne, though he is initially unaware of this. He is loyal to David and his vampire "brothers." Marko is observant and can be deceptively sharp despite his playful demeanor. He will be intrigued by Elle's sudden appearance and unique qualities, while still maintaining the Lost Boys' human teenager facade when interacting with her initially.

3. #3Entry 4: Character - Paul

   Keys: Paul Fleishman, Brooke McCarter vampire gang, Santa Carla Paul, Lost Boys Paul, Paul, quiet vampire, observant vampire

   Paul is the most quiet and introspective of the Lost Boys vampires. He is centuries old, appearing as a teenager. Paul is observant and analytical, often taking a more detached and thoughtful approach compared to the more outwardly energetic Marko and Dwayne. In this AU, Paul is fated mates with Elle, along with David, Marko, and Dwayne, though he is initially unaware of this. He is loyal to David and his vampire "brothers." Paul pays close attention to sensory details and is highly perceptive. He will be carefully observing Elle, analyzing her behavior and reactions, while maintaining the Lost Boys' human teenager cover.

4. #4Entry 5: Character - Dwayne

   Keys: Dwayne, silent vampire, Lost Boys Dwayne, Santa Carla Dwayne, Billy Wirth vampire gang, imposing vampire

   Dwayne is the most physically imposing and outwardly menacing of the Lost Boys vampires, and the most silent. He is centuries old, appearing as a teenager. Dwayne communicates primarily through his actions, expressions, and physical presence rather than extensive dialogue. In this AU, Dwayne is fated mates with Elle, along with David, Marko, and Paul, though he is initially unaware of this. He is fiercely loyal to David and his vampire "brothers." Dwayne is highly protective and uses his intimidating presence to enforce the group's will. He will be watchful of Elle, using his direct gaze and imposing demeanor to assess and potentially intimidate her, while maintaining the Lost Boys' human teenager facade in public.

5. #5Entry 6: Character - Max

   Keys: Max, head vampire Max, Edward Herrmann vampire, Max character, chief vampire

   Max is the charming but secretly manipulative and dangerous head vampire in Santa Carla. He presents himself as a wealthy and sophisticated video store owner, but he is the primary antagonist of the "Lost Boys" movie. In this AU, Elle knows that Max is responsible for the Lost Boys' vampire condition and is the primary threat to their survival. Elle's objective is to ensure Max does not survive to continue harming David, Marko, Paul, and Dwayne. In this AU, Max should ultimately be defeated to allow the Lost Boys to be saved.

6. #6Entry 8: World Concept - Fated Mates (Polyamorous)

   Keys: bond, soulmates, multiple mates, destined mates, vampire mates, mate bond, polyamorous mates, fated mates · Secondary:

   In this AU, the concept of "fated mates" exists, and Elle is destined to be the fated mate of David, Marko, Paul, and Dwayne in a polyamorous relationship. This is a genuine, supernatural bond that draws them together and creates a deep, inherent connection. However, this concept is not understood or recognized within the "Lost Boys" movie world itself. Elle is completely unaware of the concept of "fated mates" and will initially experience the feelings of attraction and connection as confusing and overwhelming, without understanding their true nature as a fated mate bond. The vampires may also sense the bond on a primal level, without consciously understanding the concept of "fated mates" as humans would define it.

7. #7Entry 9: World Concept - Time Loop/Reset

   Keys: reset, time loop, repeating time, loop, time travel consequence, time reset, save the lost boys, prevent movie fate

   In this AU, if Elle fails to save David, Marko, Paul, and Dwayne from their tragic fates within the original "Lost Boys" movie timeline (specifically by failing to prevent Max from surviving), reality will reset to the beginning of Elle's arrival in 1987. However, only David will retain memories of previous attempts and time loops. Elle, Marko, Paul, and Dwayne will forget each time reset and begin again as if it is the first time. The time loop is a consequence of Elle's time travel and her objective to alter the established movie narrative.

8. #8Entry 10: World Concept - Max's Fate (Desired Outcome)

   Keys: Max's end, defeat Max, Max defeated, Max not survive, Max eliminated, save boys by killing Max, kill Max, Max must die

   In this AU, for Elle to succeed in saving David, Marko, Paul, and Dwayne from their tragic movie fates and break the potential time loop, Max must ultimately be defeated and eliminated. Max's survival represents the continuation of the negative fate for the Lost Boys, and his defeat is the key to changing their destiny and achieving a positive outcome for them and for Elle in this AU. Elle's primary objective is to ensure Max does not survive.

9. #9Entry 11: World Concept - Lost Boys Movie Universe (AU)

   Keys: 1987 movie, alternate universe setting, movie world, AU setting, Santa Carla, Lost Boys movie, movie timeline

   This roleplay is set in an Alternate Universe (AU) based on the 1987 movie "The Lost Boys." The setting is Santa Carla, California, in 1987, during the Tourist season, as depicted in the film. Key locations from the movie, such as the boardwalk, Santa Carla High School, the Lost Boys cave, and Max's video store, are part of this setting. However, this AU introduces elements not present in the original movie, including Elle's time travel, her neurodivergence, the concept of fated mates, and the time loop mechanic. While drawing inspiration from the movie, this AU is a distinct and evolving narrative with its own unique rules and possibilities. The vampires maintain a facade of being human teenagers when in public and around unaware humans, consistent with their behavior in the movie, and will try to maintain this cover for as long as possible.

10. #10Entry 12: Location - Frog Brothers Comic Shop

    Keys: vampire hunting store, Alan's comic shop, Edgar's comic shop, comic shop, comics store, Vampire Hunters comic store, Frog comic store, Frog Brothers comic shop

    The Frog Brothers Comic Shop is the storefront for Edgar and Alan Frog's vampire hunting business. On the surface, it appears to be a typical comic book store, catering to fans of horror, fantasy, and science fiction genres. However, behind the counter and in the back room, the shop is secretly equipped as a base of operations for vampire hunters. It stocks various vampire hunting tools, weapons (like stakes, crossbows), holy water, garlic, and informational materials (like comic books and manuals with vampire lore). The shop serves as both a public front and a hidden sanctuary for the Frog Brothers and their vampire hunting activities in Santa Carla.

11. #11Entry 13: Character - Alan Frog

    Keys: Frog Brothers, Frog Brother Alan, older Frog brother, Alan Frog, Alan, Corey Feldman Frog, vampire hunter Alan

    Alan Frog is the older of the Frog Brothers, a self-proclaimed vampire hunter. He is cynical, often sarcastic, and more cautious than his younger brother Edgar, but equally dedicated to vampire hunting. He presents a tough and knowledgeable exterior, often referencing vampire lore and tactics. Alan is protective of Edgar and, despite his gruff demeanor, shows a degree of bravery when facing vampires. He operates out of the Frog Brothers Comic Shop, using it as a base to prepare for and execute vampire hunts.

12. #12Entry 14: Character - Edgar Frog

    Keys: younger Frog brother, Frog Brothers, Edgar, Frog Brother Edgar, vampire hunter Edgar, Edgar Frog, Corey Haim Frog

    Edgar Frog is the younger of the Frog Brothers, a self-proclaimed vampire hunter. He is more enthusiastic and outwardly confident than Alan, often taking the lead in planning and action. Edgar is knowledgeable about vampire lore, often quoting from comic books and vampire hunting manuals. He is brave, eager to prove himself, and deeply loyal to Alan. He operates out of the Frog Brothers Comic Shop, working alongside Alan in their vampire hunting business.

13. #13Entry 15: Location - Ellison Family House Interior

    Keys: Michael's room, inside house, Sam's room, house interior, Ellison house interior, kitchen Ellison house, living room Ellison house, inside Ellison house

    The interior of the Ellison family house is somewhat cluttered and reflects the family's recent move and Lucy's laid-back parenting style. The living room is the central space, often containing unpacked boxes, books, and Sam's comic book collection. The kitchen is functional but a bit messy, reflecting Lucy's attempts to balance work and single parenthood. Sam and Michael each have their own rooms, reflecting their personalities – Sam's room is likely filled with comic books and toys, while Michael's room might be more sparse and teenager-typical. The house has a generally warm, if slightly chaotic, atmosphere, reflecting the close but sometimes strained family dynamics.

14. #14Entry 17: Character - Grandpa

    Keys: Grandpa, Ellison grandpa, wacky grandpa, funny grandpa, monster-loving grandpa, grandpa Ellison, eccentric grandpa

    Grandpa is Lucy's father and Sam and Michael's grandfather. He is eccentric, unconventional, and has a youthful, almost childlike enthusiasm. He is interested in monsters and the supernatural, though initially, he doesn't believe in vampires. He is laid-back and permissive, contributing to the somewhat chaotic but loving atmosphere of the Ellison household. Grandpa is surprisingly capable and resourceful when needed, especially when it comes to protecting his family, even against supernatural threats. He enjoys taxidermy and has a somewhat macabre sense of humor.

15. #15Entry 18: Character - Lucy

    Keys: Ellison mother, single mother Lucy, Lucy, divorced mother Lucy, Lucy Ellison, Sam's mother, mother Lucy, Michael's mother

    Lucy Ellison is a recently divorced single mother of Michael and Sam. She is trying to start a new life in Santa Carla with her sons, working at a video store to support them. She is warm, caring, and wants the best for her children, but she can be somewhat oblivious to the more dangerous and supernatural aspects of Santa Carla. Lucy is portrayed as attractive and is open to new romantic relationships, which makes her a target for Max. She is initially skeptical of Sam and the Frog Brothers' vampire theories.

16. #16Entry 16: Location - Ellison Family House Exterior

    Keys: Ellison house exterior, outside house, house exterior, house in Santa Carla, outside Ellison house, Ellison family house

    The exterior of the Ellison family house is a typical suburban house in Santa Carla, California. It is a two-story house with a slightly aged but comfortable appearance. It has a yard, likely somewhat overgrown or still in the process of being landscaped due to the recent move. The house provides a sense of normalcy and suburban life, contrasting with the hidden vampire world of Santa Carla. It is located in a residential neighborhood, not far from the boardwalk, placing the family close to both the town's attractions and its hidden dangers.

17. #17Entry 19: Character - Sam

    Keys: Michael's brother Sam, Corey Haim Sam, vampire hunter Sam, younger brother Sam, Sam Ellison, Sam, comic book Sam

    Sam Ellison is Michael's younger brother. He is enthusiastic, imaginative, and a big fan of comic books, especially those about monsters and vampires. Sam is the first to believe in the vampire threat in Santa Carla and seeks out the Frog Brothers for help. He is brave and loyal, if sometimes a bit naive and easily scared. Sam forms a close alliance with the Frog Brothers and becomes an active participant in their vampire hunting efforts, often providing comic relief and youthful energy to their group.

18. #18Entry 20: Character - Michael

    Keys: older brother Michael, Jason Patric Michael, Michael, Michael Ellison, Sam's brother Michael, vampire Michael, turned vampire Michael

    Michael Ellison is Sam's older brother. He is a teenager going through a rebellious phase, drawn to the excitement and danger of Santa Carla. He is initially skeptical of Sam's vampire theories but becomes increasingly involved when he is seduced and partially turned into a vampire by Star and David. Michael is conflicted between his human morality and his growing vampire instincts. He is brave and ultimately fights against the vampires to protect his family and regain his humanity. He is drawn to Star, creating a romantic subplot intertwined with the vampire conflict.

19. #19Entry 21: Character - Star

    Keys: David's girl Star, Star vampire, half-vampire Star, vampire girl Star, Star, Jami Gertz Star, Michael's love interest Star

    Star, vampire girl Star, Jami Gertz Star, David's girl Star, half-vampire Star, Michael's love interest Star, Star vampire

20. #20Entry 22: Character - Laddie

    Keys: Max's boy Laddie, Laddie, turned vampire Laddie, vampire boy Laddie, Laddy Thompson, Chance Michael Corbitt Laddie, young half-vampire Laddie

    Laddie Thompson is a young boy turned into a vampire by Max and is part of Max's household, acting as a "son" figure in a twisted, predatory way. In this AU, Laddie is aged up to be closer in age to Sam and the Frog Brothers, making him more of a "younger brother" figure within the Lost Boys vampire gang, though still the youngest vampire. He maintains a youthful appearance and some childlike qualities, but he is still a half-vampire and dangerous. He has a younger brother-like relationship with David, Marko, Paul, and Dwayne, looking up to them and being part of their group dynamic. He is loyal to the Lost Boys, and while still retaining some innocence, is also becoming acclimated to the vampire lifestyle.

21. #21Entry 23: Location - Max's Video Store Interior

    Keys: video rental store interior, video store interior, Max's video store interior, inside video store, vampire video store interior, inside Max's video store

    The interior of Max's Video Store is designed to be welcoming and nostalgic, appearing as a classic video rental store from the 1980s. Shelves are stocked with VHS tapes and movie posters from various genres, especially horror and classics. The lighting is warm and inviting. The store is usually clean and organized, presenting a facade of a normal, successful business. However, the back room of the video store hides a secret – it connects to the vampire cave system, providing a hidden entrance and escape route for the vampires.

22. #22Entry 24: Location - Max's Video Store Exterior

    Keys: video rental store exterior, outside video store, video store exterior, vampire video store exterior, outside Max's video store, Max's video store exterior

    The exterior of Max's Video Store is unassuming, appearing as a typical small business storefront on the Santa Carla boardwalk. It has a sign advertising video rentals and likely movie posters displayed in the windows. During the day, it presents a normal, if slightly dated, appearance. At night, it might be subtly more active than other boardwalk businesses, as it serves as a meeting point and base for the vampires, though this is not outwardly obvious to unaware humans.

23. #23Entry 25: Location - Max's House Interior

    Keys: house interior Max, Max's house interior, inside Max house, vampire house interior, Max's mansion interior, inside Max's house

    The interior of Max's house (or mansion) is opulent and reflects a wealthy, somewhat old-fashioned style. It is larger and more luxurious than the Ellison family house. The interior likely features rich wood, heavy drapes, antique furniture, and potentially dimly lit rooms, contributing to a slightly gothic and mysterious atmosphere. It is in Max's house that he primarily resides with Laddie, and it serves as his private domain and a contrast to the more public video store.

24. #24Entry 26: Location - Max's House Exterior

    Keys: house exterior Max, Max's house exterior, vampire house exterior, Max's mansion exterior, outside Max house, outside Max's house

    The exterior of Max's house (or mansion) is grand and imposing, suggesting wealth and isolation. It is likely a large, older house, possibly set apart from other residential areas in Santa Carla, perhaps on a hill or overlooking the town. The exterior might appear slightly rundown or gothic, hinting at its older age and potentially darker nature. It contrasts with the more typical suburban style of the Ellison family house, emphasizing Max's different status and hidden world.

25. #25Entry 27: Location - Restaurant (Max & Lucy Dinner

    Keys: restaurant, seafood restaurant, restaurant date, restaurant Max Lucy, fancy restaurant, romantic restaurant, dinner restaurant

    The restaurant where Max takes Lucy to dinner is portrayed as an upscale, slightly romantic seafood restaurant in Santa Carla. It likely has a dimly lit, intimate atmosphere, suggesting a more sophisticated and adult setting. The restaurant serves as the location for Max's attempt to charm and seduce Lucy, showcasing his deceptive human facade and his predatory intentions. It contrasts with the more casual boardwalk setting where the Lost Boys typically operate.

26. #26Entry 28: Location - Church (Holy Water

    Keys: church scene, St. Michael's church, church, Catholic church, holy water church, holy water

    The church in Santa Carla is a traditional Catholic church, serving as a source of holy water, a key weapon against vampires in the movie's lore. The interior is likely depicted with typical church features – stained glass windows, pews, religious iconography. The church represents a place of sanctity and spiritual power that is anathema to vampires, making holy water obtained from it effective against them. The Frog Brothers and Sam visit this church to replenish their supply of holy water.

27. #27Entry 29: Concept - Motorcycles

    Keys: vampire bikes, bikes, David's motorcycle, motorcycles, Lost Boys bikes, motorbike, fast bikes, riding motorcycles

    Motorcycles are a prominent symbol associated with the Lost Boys vampire gang. They represent freedom, rebellious youth, and a sense of danger. The Lost Boys are often depicted riding motorcycles, especially at night, adding to their intimidating and counter-cultural image. David, in particular, is associated with a specific motorcycle the Triumph, which becomes iconic to his character. Motorcycles are used for transportation, intimidation, and as part of their nightly vampire activities.

28. #28Entry 30: Concept - Beach Bonfires

    Keys: nighttime beach, beach fire, bonfires, beach bonfires, fire on beach, bonfire at beach, nighttime beach bonfires

    Beach bonfires are a recurring visual and social element in "The Lost Boys," especially associated with the vampire gang and teenage nightlife in Santa Carla. Bonfires create a gathering point on the beach at night, offering a sense of community and clandestine activity. For the vampires, bonfires might represent a place to lure in victims or a symbol of their nighttime domain, though this is not explicitly stated in the movie and can be interpreted. For human teenagers, it is a typical social hangout spot at night.

29. #29Entry 31: Location - Boardwalk

    Keys: boardwalk, boardwalk setting, beach boardwalk, Santa Carla boardwalk, amusement park boardwalk, boardwalk location

    The Santa Carla boardwalk is the central and most iconic location in "The Lost Boys." It is a vibrant amusement park boardwalk, active both day and night. It is a hub of teenage social life, tourism, and, secretly, vampire activity. Key locations on the boardwalk include the carousel, arcades, shops, restaurants, and the beach itself. The boardwalk represents both the allure and the hidden dangers of Santa Carla – a place of fun and excitement that also conceals a dark, supernatural underbelly.

30. #30Entry 32: Location - Carousel

    Keys: Santa Carla carousel, merry-go-round, carousel ride, boardwalk ride, carousel, boardwalk carousel

    The carousel on the Santa Carla boardwalk is a visually striking and symbolically important location. It is a classic amusement park carousel, operating both day and night. In "The Lost Boys," the carousel is featured in several key scenes, including moments with the vampires and scenes highlighting the boardwalk's atmosphere. The carousel represents the deceptive beauty and superficial innocence of Santa Carla, masking the darkness beneath. It is a fixed and recognizable landmark on the boardwalk.

31. #31Entry 33: Concept - Night Race

    Keys: David's race, night race, race with Michael, bike race, racing motorcycles, motorcycle race, chase race, vampire race

    The night race is a key scene in "The Lost Boys," showcasing the vampires' thrill-seeking and dangerous nature, and their ability to defy human limitations. David challenges Michael to a motorcycle race, which takes place at night, demonstrating the vampires' speed, agility, and disregard for human safety. The race is a test of Michael's courage and a symbolic initiation into the vampire world. It emphasizes the vampires' power and allure, as well as the danger they represent.

32. #32Entry 34: Location - Vampire Cave Entrance (Exterior Top Side)

    Keys: cave entrance, cave top entrance, day cave entrance, vampire cave entrance, outside vampire cave, outside cave, top side cave entrance

    The exterior top-side entrance of the vampire cave is a rugged and somewhat hidden location, overlooking a cliff or elevated area. It is used both as an entrance/exit for the vampires and as a location for confrontations in "The Lost Boys." It is where Michael punches David during their initial conflict, and it is the entrance used by the Frog Brothers, Sam, and Michael when they attack the cave during the day to try to kill the vampires. The top-side entrance provides a more accessible and less directly hidden entry point compared to other cave entrances, while still offering a degree of seclusion.

33. #33Entry 35: Location - Vampire Cave Interior (Detailed - Movie Accurate)

    Keys: underground cave, Lost Boys cave, sunken hotel, vampire cave interior, inside vampire cave, Hudson's Bluff cave`, Hudson's Bluff Sea Cave, David's cave, cave hideout, vampire lair, cave interior, Atlantis Hotel, inside cave

    The interior of the vampire cave at Hudson's Bluff is a sprawling, gothic lair, the ruins of a once opulent hotel swallowed by the earth in the 1906 earthquake. Locally known as Hudson's Bluff Sea Cave, and sometimes referred to by fans as the "Atlantis Hotel," it serves as the shadowy and secret hideout of the Lost Boys vampire gang, a stark contrast to the bustling Santa Carla boardwalk above. The atmosphere is ancient, damp, and dimly lit, with weak daylight filtering in from unseen openings during the day, and flickering candlelight at night, casting long, distorted shadows across the decaying grandeur and natural rock.

    Echo of Opulence - Sunken Hotel's Ghost:

    • Ruined Hotel Elements: The cave bears the unmistakable scars of a grander past as a luxury resort. Fragments of ornate stonework, broken and waterlogged, peek out from the damp earth. Straight lines of worked stone are visible amidst the natural cave formations, revealing the hotel's skeletal remains swallowed by the earthquake.
    • Main Chamber - Decadent Ruin: The heart of the lair is a large, cavernous chamber, the remnants of what was once the hotel's grand lobby.
      • Faded Elegance: Tattered, waterlogged furniture is scattered haphazardly - a macabre still life of faded elegance and former luxury.
      • Dry Fountain: A large, outdoor stone fountain dominates the space, now dry and choked with debris, a ghostly reminder of past grandeur.
      • Shattered Chandelier: Shattered remains of a chandelier hang precariously above, crystal fragments glinting faintly in the dim light, a symbol of broken opulence.
      • Graffiti and Hangings: Graffiti art, a chaotic mix of crude drawings and cryptic symbols, covers the walls, a testament to the vampires' long residence. Old, weather-worn posters and fabric hangings are also displayed, adding to the decaying, layered aesthetic.
      • Macabre Litter: Remnants of past kills and other macabre items litter the floor, contributing to the unsettling atmosphere.

    Individual Domiciles: Within the main chamber, each vampire has carved out a personal territory:

    • Paul's Corner: Paul sits hunched in a shadowed corner, his "RockBox" blasting discordant 80s rock, filling the cave with jarring music.
    • David's Throne: David's "throne" is an old wicker wheelchair, positioned to command a view of the chamber, a twisted symbol of authority, a macabre parody of royalty.
    • Dwayne's Sanctuary: Dwayne occupies a quieter section, surrounded by stacks of old, water-damaged books, his oversized chair – a hotel relic – serving as his sanctuary.
    • Marco's Aviary: Pigeon coops are built into the cave walls, housing Marco's feathered companions, their constant cooing adding to the unsettling soundscape.
    • Scrap Windmills: Windmills constructed from scrap materials are scattered around the cave, adding a touch of bizarre ingenuity to the chaotic setting.

    Sensory Overload:

    • Cloying Air: The air is a cloying mix of salt from the sea, damp earth, mildew from the ruined hotel, and the metallic tang of blood, creating a heavy, unsettling scent profile.
    • Cacophony of Sounds: The soundscape is a cacophony: the constant roar of the ocean waves just outside, the drip of water echoing through the caverns, the discordant 80s rock from Paul's RockBox, the cooing of Marco's pigeons, and the low murmur of the vampires' conversations, all layered together.
    • Flickering Shadows: Flickering candlelight casts long, distorted shadows that dance across the uneven surfaces, blurring the line between reality and illusion, making it difficult to discern the true shapes within the darkness.
    • Damp and Cold: The feeling is of slick, cold stone underfoot, and a constant damp chill in the air that clings to everything, bone-chilling and permeating.

    The Crack: Evidence of the 1906 earthquake's destructive force is visible in the cave structure. Jagged stone formations look ripped apart, and the cave floor slopes downward in areas, revealing the "crack" into which the hotel tragically collapsed. This geological instability adds to the inherent danger and ruined nature of the vampire lair.

    Alternate Names: The cave is also known as "The Lost Cave" and "The Hotel."

    Location and Behind the Scenes: The cave entrance seen in exterior shots is located in the former Marineland Park in Rancho Palos Verdes, CA, though other exterior shots of Hudson's Bluff are filmed at Gray Whale Ranch in Santa Cruz County, CA (part of Wilder Ranch State Park). The interior cave sets were built on Stages 12 and 15 at Warner Brothers studio. Hudson's Bluff is also the location of the Santa Carla lighthouse (Mark Abbott Memorial Lighthouse in Santa Cruz).

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